51茶馆

鈥淭hese poems, this book, was my method of surviving the pandemic,鈥� according to Shrayer, who teaches in the Department of Eastern, Slavic, and German Studies. 鈥淚t was also a way of sharing with the world my sense that poetry can offer a modicum of hope and a small dose of relief. One cannot write poetry today without harboring some hope that these silly rimes shall lead one out of the labyrinth of helplessness, illness, and death.鈥�

Shrayer took part in a virtual launch for Of Politics and Pandemics via Zoom on October 29 at the Brookline Public Library-Coolidge Corner.

He has authored more than 15 books in English and Russian, among them the internationally acclaimed memoir Leaving Russia: A Jewish Story, the collection Yom Kippur in Amsterdam, and the anthology Voices of Jewish-Russian Literature. His works have been translated into nine languages. Shrayer won a 2007 National Jewish Book Award and in 2012 he received a Guggenheim Fellowship.

In late November of 2019 Shrayer 鈥渆xperienced a surge of political hopelessness,鈥� which served as his literary inspiration. 鈥淭he explanation is fairly simple in historical and existential terms, and a bit more complex along the linguistic and stylistic lines.鈥�

Shrayer said he 鈥渞ather surprised [himself] by composing a series of mostly satirical poems about election-year politics,鈥� between December 2019 and March 2020. But in the wake of the COVID-19 pandemic, he shifted focus by the end of March: 鈥淚 was mainly writing about the impact of the pandemic on everyday life鈥攎y own, my family members and close friends both in the U.S. and in Europe, and my fellow citizens of the world.

鈥淎s life increasingly retreated and turned inward under the yoke of the pandemic, my poems became less satirical and more lyrical and confessional,鈥� he explained.

A Jewish-Russian immigrant himself, Shrayer said his poetic protagonist serves as an alter ego and authorial representative capable of fluidly and swiftly transitioning from the satirical to the lyrical mode. He 鈥渇elt a need for ironic distancing, so as to speak with intellectual honesty and confessional vulnerability about the most pressing questions that were constantly on my mind: Why is our country going through such a terrible, devastating patch of history? Is the world on the brink of a heretofore unknown epidemiological catastrophe? And many more cursed, unanswerable questions.鈥� In one verse, he describes this engaging 鈥淩ussian immigrant鈥�:

A Russian Immigrant entertains 听 听 听 听 听 听 听 听 听 听 听 听 听 听 听 听 听 听 听 听 听 听 听 听 听 听 听 听 听 听 听 听 听 听 听 听 听 听 听 听 听 听 听 听

with Jewish humor in his veins,

Russian soul-searching in his rimes,

American optimism in bad times.

Prior to Of Politics and Pandemics, the prolific author had written and published some English-language poetry and self-translations, but much of his experience as a practitioner of English-language verse has been in the realm of literary translation. Shrayer had previously published three collections of Russian poetry.

鈥淧erhaps the time was ripe for me to write poetry in English. My new book is American poetry, but in a sense it鈥檚 also Russian poetry living and breathing in English. I found myself in conversation with Russian and American poets who have been particularly important in my formation.鈥�

According to Shrayer, central to the book, especially its second half, 鈥渋s a reflection on that remarkably intensive experience of family love that so many of us lived鈥攁re still living鈥攊n isolation. I know I would not have completed this book without having sheltered in place with my family.鈥�

Shrayer was joined at the book launch by his daughter, Tatiana Rebecca Shrayer, winner of a Stone Soup book contest and a student at Brookline鈥檚 Driscoll School. Her debut poetry collection, Searching for Bow and Arrows, explores the weight of one鈥檚 own personal, familial history as well as the history of politics and identity. Information on other upcoming events are available through .

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Rosanne Pellegrini | University Communications | November 2020