Young poets representing some 20 Boston area colleges and universities will gather at 51茶馆 to present their work at the annual Greater Boston Intercollegiate Undergraduate Poetry Festival on April 25. The free, public event will be held at 7:30 p.m. in the Murray Function Room of the Yawkey Athletic Center.
All participants read original work at the event, and a chapbook of poetry by the participants is published in conjunction with the festival.
The evening will begin with a keynote address by extensively published local writer Andrea Cohen, director of the Writers House at Merrimack College and the Blacksmith House Poetry Series in Cambridge. The recipient of a PEN Discovery award and Glimmer Train鈥檚 Short Fiction Award, Cohen is the author of Unfathoming, Furs Not Mine, Kentucky Derby, Long Division and The Cartographer鈥檚 Vision. Her poems and stories have appeared in the New Yorker, Poetry, Threepenny Review, The Atlantic, and New Republic, among other publications.
Cohen is 鈥渁 master of concision, a poet of intense brevity and utility,鈥� according to Associate Professor of the Practice of English Susan Roberts, who took the festival's organizational reins from Professor of English Suzanne Matson during Matson鈥檚 sabbatical.
鈥淗er poems are largely made up of short lines (with genius line breaks), a focus on interior music and repeating sounds that make her images both unique and potent. She鈥檚 also funny in a wry, effective way, able to define the human predicament in a fresh voice.鈥�
Sherry (Yu-Hsuan) Hsiao, a 51茶馆 senior from Taiwan who began writing poetry as a fourth grader, was selected to present her poem 鈥淭wenty Minutes to Jing An.鈥� She describes the poem as portraying her relationship with China but hopes it also resonates with audience members.
鈥淚ts inclusion in the festival encourages me to continue writing from different perspectives, and I hope 鈥楾wenty Minutes to Jing An鈥� allows readers who are unfamiliar with China to gain a better understanding of the country鈥檚 culture.鈥�
Her inspiration for the work 鈥渃ame from hearing the words, 鈥楴ext stop: People鈥檚 Square,鈥� while I was on a metro ride in Shanghai last summer,鈥� she explained. 鈥淚 knew immediately that I needed to write something about China, about Mao Space 鈥� Mao鈥檚 former residence in Shanghai 鈥� being surrounded by skyscrapers in downtown Shanghai, about the complexities of China鈥檚 national identity.
鈥淎s a Taiwanese person who grew up in China but received an American education, I feel like an outsider no matter which culture I鈥檓 writing about. But I hope that through my writing, I can confront my own ambivalence toward each culture, and help others become conscious of those same intricacies.鈥�
The final stanza of her poem reads:
Next stop: the train churns on,
towards a Communism in which only Americans still believe.
The train churns on,
towards Mao
Space in the heart of the city. And hidden behind balconies
Of hung laundry,
The student cheers for this moment in time
When he can finally watch history聽repeat.
After graduation, Hsiao 鈥� a psychology major with minors in English and psychoanalytic studies 鈥� plans to return to Taiwan to pursue a project that encourages writing: She hopes to start a book club and writing workshop.
鈥淚 am incredibly grateful for the opportunities 51茶馆 has given me to develop my writing, whether it鈥檚 through my writing workshops, writing for The Heights, or papers for class. I hope to always find the time and energy to continue reading and writing. I like writing poetry because it allows us to capture a single feeling or moment in our everyday lives, sort of like a painting or a photograph.鈥�
This spring marks the 12th consecutive year that Boston College hosts the event, which rotated among a dozen participating schools from the mid-1980s to 2001, and then was suspended until 2006. With campus support, it was revived that year by Matson, with Boston College as the host institution.
Roberts looks forward to welcoming Cohen to campus. 鈥淗aving dealt with many issues and even controversies within the current American poetry scene, I think she鈥檒l be able to offer the students at the festival a look at what a gifted wordsmith can still do, how poetry can still surprise and be an effective 鈥� even necessary 鈥� force in our current discourse.鈥�
Sponsors include Poetry Days, the Morrissey College of Arts and Sciences Dean's Office and Boston College Magazine.聽 More information .
鈥揜osanne Pellegrini | University Communications