American Dreams: Jews and Broadway
Abstract
The promise of the American Dream brought mass-migration of Jews between 1880-1920, with many settling in New York City鈥檚 Lower East Side slums. By the 1930s their children had Americanized and improved their lot and formed an increasing percentage of the Broadway audience, supporting musicals that were almost exclusively written by Jewish composers, lyricists and librettists. Not surprisingly, the Broadway musical reflected their collective journey of upward mobility. In their hands, most Broadway book musicals came to project an inclusive vision of America through a form which they inadvertently developed into a template on how to achieve those lofty ends: success through assimilation. This Broadway musical 鈥渢emplate鈥� has subsequently been used by other fringe groups to gain legitimacy in the eyes of the American mainstream, be it women, gays, African Americans, Latinos/Latinas, amongst many others.
Speaker Bio
Stuart Hecht听is Associate Professor of Theatre Department at Boston College, where he teaches and directs after spending thirteen years as Department Chair. His book Transposing Broadway: Jews, Assimilation and the American Musical has just been released by Palgrave Macmillan Press. He is the long-standing Editor of New England Theatre Journal, and his articles in theatre history have appeared in Theatre History Studies, Journal of American Drama and Theatre, Theatre Journal, Chicago History, The Journal of Popular Culture听 among others. He has written extensively on Chicago theatre and more recently turned his attention to the American musical. Hecht has long been an officer for the American Theatre and Drama Society, is a member of the Chicago Theatre Symposium and is also a member of the New England Theatre Conference's College of Fellows. He worked as dramaturg for Chicago's Goodman Theatre and Wisdom Bridge Theatre before moving to Boston to begin his academic career. He received his B.A. from the University of Michigan and a M.A. and Ph.D. from Northwestern University.
Event Photos
Stuart Hecht, Associate Professor of Theater at Boston College, at the Boisi Center on November 14, 2012.
tuart Hecht, Associate Professor of Theater at Boston College, at the Boisi Center on November 14, 2012.
Event Recap
On November 14 the Boisi Center hosted a lunch colloquium featuring Stuart Hecht, associate professor of theater at Boston College and author of the recently published听Transposing Broadway: Jews, Assimilation and the American Musical. Hecht spoke about the influence of Jewish Americans鈥攅specially second generation Jewish immigrants in New York鈥攐n the development of the Broadway musical. These musicals, Hecht argued, presented a template for success in America, an inclusive vision of America where assimilation is the key to upward mobility. For Jewish composers, lyricists, and audiences, the Broadway stage became a 鈥渃ultural Ellis Island,鈥� revealing the gateway to achieving the American dream.
Until the 1930s, Hecht noted, Jews portrayed their aspirations for assimilation predominantly through narratives about upper-class white characters. This dynamic began to change with the 1943 premier of 鈥淥klahoma!鈥� This musical featured a comedic secondary character, the Persian peddler Ali Hakim, which marked the introduction of increasingly prominent characters from marginal social groups. By the 1960s, characters from these groups became more commonplace and were even the central protagonists in some shows. The gradual incorporation of these characters into the Broadway mainstream reveals the inclusive vision presented in musicals composed by Jewish Americans.
After seeing how the Jews had used the musical, other underrepresented social groups followed suit, leading to the production of 鈥淗air,鈥� 鈥淩ent,鈥� 鈥淭he Color Purple,鈥� and 鈥淭he Book of Mormon.鈥� These plays resonated with American audiences, who found they could empathize with protagonists from marginal racial, ethnic, sexual, or religious identities.
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Further Reading
Alexander, Michael.听.听(Princeton: Princeton University Press, 2001).
Bial, Henry.听. (Ann Arbor: University of Michigan Press, 2005).
Furia, Philip. 鈥�.鈥澨�The American Scholar听(Summer 1997), 379-394.
Gabler, Neal.听. (New York: Knopf Doubleday Publishing Group, 1989).
Hamm, Charles.听. (New York: Oxford University Press, 1997).
Hecht, Stuart J.听. (New York: Palgrave Macmillan, 2011).
Knapp, Raymond.听.听(Princeton: Princeton University Press, 2006).
Lehman, David.听.听(New York: Nextbook, 2009).
Most, Andrea.听听(Cambridge, MA: Harvard University Press, 2004).
Rogin, Michael.听. (Berkeley: University of California Press, 2002).
Sandrow, Nahma.听. (Syracuse: Syracuse University Press, 1977).
Smallwood, Stephanie E.听. (Cambridge, MA: Harvard University Press, 2008).
Sollors, Werner.听. (New York: Oxford University Press, 1986).
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听is the first documentary film to explore the Jewish-American influence in the development of Broadway musicals. Stuart Hecht, Associate Professor of Theater at Boston College, discussed the听.听 Hecht is among the experts interviewed in the PBS documentary.听
Broadway Musicals听premieres on January 1, 2013, at 9:30pm EST (check local listings).